Friday, September 26, 2014

Digital Update: Copyright Laws

         The Internet is a vast source of information on any topic a person could possibly imagine. If a person needs to know a definition of a word, or the birthday of a celebrity, they can simply look it up online and find the answer. As the Internet grows, keeping track of an author’s work becomes a more difficult task than it was in the past. After reading the article by Charles W. Bailey Jr., Strong Copyright +DRM + Weak Net Neutrality= Digital Dystopia, it dawned on me that our copyright laws may be a little out of date. Bailey begins the article by explaining how media and media consumers have changed along with the growth of the Internet. “In the subsequent twenty-odd years, publishing and media production went from being highly centralized, capital-intensive analog activities with limited and well- defined distribution channels, to being diffuse, relatively low-cost digital activities with the global Internet as their distribution medium” (Bailey Jr. 116). Bailey believes that the digital world is the future, but with this new future comes issues we are unfamiliar with to the Copyright Laws that we currently have.
         When these laws were originally passed, they gave the rights of works to the initial author or publisher. Since the growth of the Internet, it is much harder to for authors to control what users are downloading and using for their own interests. This issue has become a much bigger mission for the people enforcing copyright laws but, on the other hand, has neglected the rights of “fair use” for users. While yes, authors should have the rights to their work, there are some things that can be considered fair use, which individuals utilize daily.
         “Congress has the power to promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries” (Bailey Jr. 2). The purpose of copyright laws is to protect authors from having their works stolen or used without their permission. This law has generally worked with things like books or art in the past, but there was not an active presence on the Internet like there is now. Meaning, there were no people who were knowledgeable in the area of hacking, or users taking random information off the web for their personal use. “Copyright was a bargain: society would grant creators a time-limited ability to control and profit from their works before they fell into the public domain (where works are unprotected) because doing so resulted in “Progress of Science and useful Arts” (Bailey Jr. 117). Now, copyright protects a wider range of works. This list includes literary works, musical works, dramatic works, pantomimes and choreographed work, pictorial and graphic work as well as motion pictures, sound recordings and architectural work. With this extensive of a list, there is almost nothing out there that is not protected by these laws.  
         In Paul Sieminski’s article, Corporations Abusing Copyright Laws Are Ruining the Web for Everyone, he discusses the assorted issues that these copyright laws bring up. Copyright owners can send notices to web companies who use their content and have it taken down. This is supported by the DMCA system. This notice provides copyright owners a legal way to have content removed. Although the idea of “fair use” is legal, copyright holders often misuse the DMCA to their benefit. “And the current DMCA system enables these aggressive copyright owners by providing virtually no penalties for failing to consider common exceptions to infringement — like fair use” (Sieminski). There have been cases where people were sent this notice to take down work, but they had just visited a random web address. There are faults in the DMCA system, such as knowing what cases are serious and what cases have copyright holders misusing these notices.
         In this digital sphere, these copyright laws seem unproductive. “The thing about the future is that it is rooted in the past. Culture, even digital culture, builds on what has gone before” (Bailey Jr. 116). Virtually every type of work imaginable is under protection for extended periods of time. In Brad Stone’s article, The Inexact Science Behind D.M.C.A Takedown Notices, he brings up a study done at the University of Washington about these takedown notices being misused. “The paper finds that there is a serious flaw in how these trade groups finger reported file-sharers. It also suggests that some people might be getting improperly accused of sharing copyrighted content, and could even be purposely framed by other users” (Stone). This research reported that enforcement agencies are not looking into this matter fully, but rather looking only at the I.P. address of people who use these peer-to-peer networks.
         Attorney Michael Godwin defines DRM, or Digital Rights Management, as “A collective name for technologies that prevent you from using a copyrighted digital work beyond the degree to which the copyright owner (or a publisher who many not actually hold a copyright) wishes to allow you to use it” (Bailey Jr. 120). Godwin suggested that DRM might inhibit a variety of legitimate uses of these protected works. Once again, the idea of “fair use” is overlooked. If the laws were going to be updated, fair use should be considered as a piece of it, so that the content is available to users.
         With the current laws being misused, I wonder why they have not been truly looked at, with the digital age in mind, and revamped for this generation. With the Internet being something that is used constantly, nothing is original anymore, it all comes from something else we heard or saw. As the Internet becomes a bigger part of our daily lives, copyright laws need to be looked at in a new sense of where, digitally, we are headed.


Works Cited:

Jr. Charles W. Bailey. “Strong Copyright DRM Weak Net Neutrality = Digital Dystopia?” Information Technology and Libraries 25.3 (2013) Web.

Sieminski, Paul. “Corporations Abusing Copyright Laws Are Ruining the Web for Everyone.” Wired.com. Conde Nast Digital, 15 Jan. 0014. Web. 26 Sept 2014. 


Stone, Brad. “The Inexact Science Behind D.M.C.A. Takedown Notices.” New York Times Blog. 5 June 2008. Web. 26 Sept .2014.